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暂无英文版的简介，请添加内容帮助我们完善数据库。

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Recently divorced Bénédicte Marceau decides to leave Paris and move back to her hometown of Nantes with her daughter Rose. But painful memories await her there - When she was just 16, Ben's Jehovah's Witness parents forced her to give up her newborn son just hours after his birth. A decision that drove Ben to run away from home and leave Nantes. Her son's existence is a painful secret that Ben has kept from everyone else in her life. Nantes offers Ben the hope of a fresh start. Bolstered by her job as a reporter, the childhood friends she will be reunited with, and her daughter Rose, Ben hopes to build a new life for herself in Nantes. As a reporter, her job is covering criminal cases. But she's not one to simply pass along official statements. She likes to do her own investigating, out in the field. Because Ben never gives up, even if means breaking the law or violating procedures. An attitude that soon has her butting heads with Laurent Wagner, the local police captain.

The story of a boy named Ben who enjoys his simple countryside life and is forced to move to a highly ranked school where he doesn't fit in. The rest of the movie shows how Ben is driven mentally insane by his selfish mother.

Ben Jerrod is an American soap opera which ran from April 1, 1963 to June 28, 1963. The series is most notable for being the first soap to be regularly televised in color. The show debuted April 1, 1963, the same day as the long-running General Hospital and The Doctors.

Documentary series following jeweler Ben Baller, who creates wildly custom jewelry for celebrity clientele.

Ben Hall was originally a free settler, but minor misunderstandings, and difficulties lead him to trouble which seemed to escalate to the point where he became an outlaw.

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Rwanda, 2012. The country is emerging from an era of silence after the 1994 Tutsi genocide, and people's courts are being set up with the aim of bringing justice and reconciliation. Veneranda, a survivor, is convinced of the need for these trials. Despite pressures, she organises discussion sessions between victims and the families of the executioners. Therapy for some, an act of betrayal for others, these testimonial sessions revive and reveal the traumas that each of them try to overcome, in their own way. The wounds of Veneranda's past are exposed again when she learns of her daughter's unexpected pregnancy and the identity of the father. Veneranda has to face her own contradictions and the dark parts of her past.